Product information "STUDIMON 5"
When producing and mixing your music or editing your videos you’ll need studio monitors with absolutely honest sound reproduction where all elements can be heard separately from each other. The STUDIMON5 nearfield studio monitors offer accurate sound reproduction, two powerful 30-watt class AB power bi-amplifiers and an elegant design that seamlessly complements every studio environment — even at home.
With its 3/4" silk dome tweeter, you’ll hear every detail in the stereo field of your mix up to 20 kHz. The magnetically shielded 5" woofer and, rear bass-reflex aperture will give you deep and defined bass frequencies down to 50 Hz. This is all you need to make your low end clear and pop out on most consumer systems, including smartphones.
The back panel provides all needed connections in every Home- and professional Studio environment. Balanced XLR and 6.35 mm stereo jack inputs guarantee disruption-free signal transmission, while a practical volume controller rounds off the loudspeaker's features.
Whether you're making music, creating content or your next live stream, STUDIMON5 ensures a true representation of your mix, so you can make confident mixing decisions to be true to your sound.
| Controls: | mains switch (on/off), volume control |
|---|---|
| Line input connectors: | 6.3 mm stereo jack (balanced), XLR (balanced) |
| Cabinet surface: | stained, Laminated |
| Product type: | Other Studio and Recording Equipment |
| HF driver dimention (mm): | 0.75 in |
| Frequency range: | 50 - 20000 |
| Woofer dimensions (mm): | 5 in |
| Signal-to-noise ratio: | 85 dB |
| Amplifier: | Class A/B |
| Cabinet colour: | Black |
| Depth: | 8.46 in |
| HF driver brand: | Custom-made |
| Woofer brand: | Custom-made |
| Height: | 10.55 in |
| Low/mid Woofer dimensions: | 5 Inch |
| Cabinet construction: | Bass Reflex |
| Protection circuits: | Overtemperature, Short circuit |
| Width: | 7.48 in |
| Cabinet material: | Birch Plywood, MDF |
| Crossover frequency: | 2500 |
| Woofer magnet: | 80 mm Ferrit |
| HF driver dimensions: | 0.75 Inch |
| Max. SPL: | 103 dB |
| Accessories (included): | Power cord |
| Operating voltage: | 100 V AC - 240 V AC, 50 - 60 Hz |
| Indicators: | orange (LED) |
| Dispersion (H x V): | 120 ° x 120 |
| System Power (RMS): | 2 x 30 W |
| Frequency response: | 70 - 20000 Hz (-3dB) |
| Power supply: | Switching power supply |
| Type: | Studio monitor |
| Housing Wall Strength: | 0.59 in |
| HF driver magnet: | 28 mm Neodym |
| Input impedance: | 10,000 |
0 of 0 reviews
Average rating of 0 out of 5 stars
Login
accessories
The MONICON S is an extremely compact volume controller for any set-up. Digital volume controls on laptops or audio interfaces are often imprecise or cumbersome. The MONICON S offers a precise, hands-on, and convincingly touch-responsive solution. It is easily connected between the audio interface and active speakers via RCA inputs and outputs, where it takes over the central level control. The large analogue rotary control allows the volume to be carefully and accurately adjusted. Its completely passive design means it requires no power supply and guarantees latency-free, pristine sound. Thanks to its robust design and straightforward operation, the MONICON S is the ideal addition for small studios or mobile set-ups where sound fidelity and direct operability are required.
For professional applications on stage, in the studio or in the rehearsal room, excellent quality is available with our 5 STAR SERIES. This cable is made in the EU and therefore meets the relevant requirements for professional use.Durability and reliability find their master in the hard road everyday life! We have therefore developed a cable that is not only flexible, but also very robust. We use a special soft-PVC compound for all cables of the 5 STAR SERIES, which is friction resistant and bendable. For excellent signal transmission, but is also more abrasion resistance. The cable comes with a cable tie and two transparent, loose heatshrinks for labeling.Engineered in Germany & Made in EU: This stands for precision & quality.
The Gravity GSP 3202 studio monitor stand has a heavy, triangular cast iron base. And the monitor tray is 250 mm x 250 mm in size with foam pads for damping. It is height-adjustable from 930 mm to 1500 mm for optimum speaker positioning and comes with a set of spikes. Mounted to the integrated large rubber feet, they achieve an effective coupling to the floor.
Switching between different signal sources and monitors is one of the most common tasks in any studio. Ergonomic console design and two clearly structured control levels makes the Palmer MONICON XL the perfect, intuitive nerve centre for all your requirements. Selecting audio sources and loudspeakers is convenient and at the touch of a button.The Palmer studio monitor controller features three analog stereo inputs, one S/PDIF input and outputs for three monitor pairs, each with its own volume controller for level calibration. A further mono summed full-range output is also available for connecting either a mono monitor or a subwoofer. An exclusive highlight of the MONICON XL is its correlation meter, which displays the phase difference between a stereo signal's left and right channels. This facilitates the quick and simple discovery of mono-compatibility errors in mixes. The controller is also customisable to your personal work style.Its fully analogue audio circuit means that the MONICON XL demonstrates absolutely no latency or signal distortion. Additional features that are a must for any studio make the device far more than simply a monitor controller. Two headphone outputs with volume controllers and main cue selector switches, a cue master controller and an on/off talkback microphone with volume control are all also included. As are a mute button and a dim button, with volume control, that instantly reduces the monitor level by a pre-set amount.
Mastering and mixing professionals usually listen to music in ideal conditions in control rooms specifically designed for mastering and mixing. Studio monitors are either built into the wall or installed on expensive stands positioned just far enough away from studio furniture so that nobody can accidentally bump into them. In day-to-day life, however, most musicians, producers, podcasters, etc., put their monitors right on the table. Not because this is the best solution, but because there's not enough space available.Even if you invest in a good table stand in this case, you still have to live with the fact that people might walk by or carelessly move the entire structure and destroy your optimum listening set-up. Regular stands for studio monitors also need a lot of room on the table due to their lower base plate.Gravity® has tackled all these problems with the SP 3102 TM. The studio monitor stand features a table clamp to securely and safely attach the structure to tables with tabletops no thicker than 100 mm. Just like other Gravity® products, it can be tightened using a sturdy and handy knob. In contrast to conventional table stands which require a large base plate to not budge, SP 3102 TM's clamp base is only 10 × 7 cm and does not take up more space than a standard screen holder. The design of the studio monitors stands ensures that they do not stick too far out off the table. This ensures a greater distance between the listener and monitors even when tables aren't that deep, as well as the perfect speaker placement to find the sweet spot in the room.Everything stays put with the SP 3102 TM thanks to its clamp that keeps stands fixed in position. In addition, the SP 3102 TM is fully equipped to help you perfectly align the monitors into the listening position. The stand has clearly visible markings to adjust the height, rotation, and tilt. There's also EVA padding and an anti-tipping device to make sure your valuable monitors rest securely on the upper shelf, even when tilted up to 15°. You can now sit back and enjoy the sweet spot!
The MONICON M is a compact passive volume controller for flexible studio set-ups. It can be easily connected to audio interfaces, computers, or mobile devices, either via balanced XLR/TRS combo sockets or a 3.5 mm jack input. The output, which is either balanced via XLR or 3.5 mm jack sockets, helps supports both professional studio monitors and compact loudspeaker systems. The large analogue volume control makes it possible to precisely control the level of volume without any loss in quality. The signal flow and monitoring situation can be adjusted quickly and intuitively using the “Mono,” “Dim,” and “Mute” buttons. Thanks to the completely analogue signal path, the sound remains unaltered and latency-free. The MONICON M is the perfect control centre for project studios, editing suites, and multimedia workstations – wherever direct access and precise control are required.
The SA 6131 B is an elegant steel and die cast aluminium construction monitor screen mount arm. It is adjustable in all directions and features an ingenious counterbalance design for easy screen height adjustment. The integrated cable management system ensures a clean and uncluttered installation. The producer screen arm ships with desk clamp and grommet for a wide variety of secure mounting options.
The MONICON L is a versatile, compact studio monitor controller for professional project studios and ambitious home set-ups. It features three inputs for different signal sources: balanced via XLR/TRS combo sockets as well as AUX and Bluetooth for mobile or digital devices. The inputs and outputs can be switched on/off via dedicated buttons with LED status display. Two stereo outputs and an additional mono output allow flexible control of the speakers, for example, for main monitors, nearfield systems, or subwoofers. The large analogue volume control allows precise control of the output level. Functions such as “Mono,” “Dim,” and “Mute” support practical monitoring conditions and facilitate quick adjustments in everyday studio life. With its own volume control and PFL function, a separate headphone output allows isolated pre-listening to input signals without affecting the main mix. The integrated power supply provides power to the Bluetooth, the headphone amplifier, and output three. The signal path itself stays entirely analogue, which makes latency-free and pristine audio playback possible. MONICON L stands for reliable signal management, transparent sound control, and intuitive operation.
The Gravity® studio monitor stand SP 3202 VARI®-TILT features a heavy, triangular base made of cast iron and a 250 x250 mm steel tray with isolating foam rests. It is tilt-adjustable by 10° and height-adjustable from 930 to 150 mm for optimum speaker positioning. The stand is supplied with a set of spikes. Mounted on the large, integrated rubber feet, these ensure effective coupling to the floor.
A mix's sound and feel is heavily influenced by having your monitors placed in the proper position. In a home studio, however, where space is at a premium, it's not always possible to put your studio monitors right next to a table using suitable stands. The Gravity SP 3102 is the solution to this problem. The flexible, powder-coated steel stand squeezes onto pretty much any desk. The edge of the solid base is only 25 cm in length. Monitor boxes weighing up to 25 kg can be flexibly positioned at the height you want, and EVA padding and tilting protection make it possible to vertically angle them by up to 15° and horizontally rotate them 360°, meaning you can always find the perfect position for your studio monitors. The colourful G-rings make a clear design statement and can be swapped out in mere seconds. An additional black ring set is also supplied with the product.
Those who do not place their studio monitors on a table surface, but use dedicated stands and mounts for monitoring in their own studio, are already doing a lot of things correct. Nevertheless, studio monitors also generate oscillations and vibrations here, which are transferred to the supporting surface and can thus impair the stereo image of the speakers. Usually, the larger the surface, the more energy transfer takes place. With the SA SM IF 01 absorber pucks, Gravity has a solution ready that can have a big impact with small means.The Gravity Absorber pucks can be placed freely under a loudspeaker (e.g. studio monitor) and achieve a decoupling of the loudspeaker cabinet and the installation surface due to their silica gel surface. This significantly reduces vibrations and oscillations and makes the stereo image more precise by reducing acoustic smearing and discolouration.The load capacity is 36 kg when using four Gravity SASMIF01 absorber pucks, which means that most speakers on the market can be used without any problems.
The sound and feel of a mix are greatly influenced by the precise positioning of your monitors. Yet, in the typically compact home studios of numerous musicians, producers, podcasters, or DJs - where space is limited - it can be challenging to appropriately position studio monitors with suitable stands, whether it's on or next to the table.The Gravity SP WM 1 B is the ultimate solution to this problem. With this robust and stable wall mount, you can effortlessly position your monitors on the wall. The SP WM 1 B features a 5 mm thick wall plate for securely fastening the construction to the wall, boasting an impressive maximum load capacity of 50 kg, which can be further secured with the integrated safety eyelet. As expected from Gravity, everything securely locks in place using durable, easy-to-grip knobs. The smart design allows for five adjustable positions of the support arm and a horizontal rotation of 180°, catering to the specific spatial requirements of your room. This ensures a straightforward process for positioning your monitors correctly, creating a clean listening triangle with a sweet spot.Moreover, the SP WM 1 B provides all the necessary features for perfect monitor alignment to your listening position. The 250 x 250 mm support surface can be rotated by 30° and tilted by up to 15° - in both directions in each case. Thanks to the clearly visible markings, your monitors can be precisely aligned. In addition, the EVA padding and anti-tilt protection on the front of the support surface guarantee that your valuable monitors will stay securely in place at all times, even when angled at maximum inclination.
Professional productions need a big studio - this guiding principle was considered irrefutable for decades. Today, entire albums are produced in small home studios. Getting the most out of a cramped environment requires compact and well thought-out solutions, like the Gravity® SP 3102 CB studio monitor table stand.With the SP 3102 CB, you can place your studio monitors directly on your desk without worrying about stability or taking up too much space. Thanks to the continuously height adjustment, the monitoring speakers can be precisely aligned with your sitting position - and the stereo triangle is ready!The SP 3102 CB is based on a robust steel construction that ensures a secure stand for your studio monitors. The rubberised non-slip feet on the bottom of the table base and the EVA-padded bearing surface for the speaker also contribute to this.The Gravity® SP 3102 CB is the ideal solution for small tables and storage areas in home studios and is aimed at users who do not want to give up on a stable stand and precise alignment of the monitors even in cramped environments.