
Cameo lights up Halloween special at Djurs Sommerland

For Pedro Campos, Light Producer at Fluge Audiovisuales, it was clear from the outset that the lighting design for A Summer Story had to do more than just accompany the film. “The lighting plays a narrative, emotional and scenic role,” explains Pedro Campos. “Each stage is its own cosmos with an individual visual identity.” The decision in favour of Cameo was made not least due to the high reliability of the IP65-certified devices: “At an outdoor festival like A Summer Story, the lighting technology is exposed to extreme conditions: heat, dust, humidity, long running times and quick changeovers. This is precisely where Cameo has been offering us maximum security and stability for many years.”
Pedro Campos, Fluge Audiovisuales"The PIXBAR SMD IP G2 and ZENIT W600 have completely won us over – they are powerful, reliable and can be perfectly integrated into the overall setup.”
The Cameo fixtures were mainly used on stages 2 and 3. Pedro Campos and his team positioned the PIXBAR SMD IP G2 primarily at the edges of the stage and along the LED walls. In this way, the LED bars not only created contouring lines, but were also used for stroboscopic accents and elaborate pixel mapping effects that reacted directly to the beat. “The PIXBARs are modular and also extremely compact, making them easy to integrate into complex stage structures,” comments Pedro Campos.
The ZENIT W600 LED wash lights acted as wide-area light sources and impressed the Fluge team above all with their homogeneous colour coverage. They were positioned both frontally towards the audience and to the side of the stages in order to emphasise large areas and the stage architecture. “We also used the ZENIT W600 specifically as an ambient blinder – for drops or transitions, for example, when the whole scene was supposed to explode in a sea of light,” explains Pedro Campos.
Pedro Campos, Fluge Audiovisuales“Cameo has more than earned our respect as a player in the professional scene.”
For Pedro Campos and his team, efficient integration was also crucial: “Both models integrated seamlessly into the overall lighting setup – this makes live operation much easier, especially when guest lighting designers bring their own shows with them.” For Pedro Campos, it is crucial to provide the artists with the best possible support. "Our aim is to ensure that every artist feels that they are in perfect technical hands and can deliver the best possible show – without compromising on safety and design.”
In Cameo, Fluge has found a partner that shares this aspiration. “Cameo has more than earned our respect as a player in the professional scene and impresses with its combination of performance, robustness and versatility – a mixture that proves its worth, especially at large festivals. And best of all, all of this comes with a brand philosophy that is approachable, solution-oriented and focused on the needs of lighting technicians.”
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